Words Away, run by writer Kellie Jackson, aims to bring writers together in a creative environment to explore the writing process. We hold monthly salons at the Tea House Theatre Cafe, in London and host creative writing workshops at The Hive, London Bridge. Through our Salons we offer a focused exploration on a particular topic with a chance to exchange ideas and ask questions in a friendly setting.
Be inspired. Develop and nurture your craft. Meet other writers. Please join us, all welcome.
Words Away creative writing salons concentrate on the writing process. Every month I invite a guest author to join you, the audience, in discussing a particular topic in writing, a genre, or a question of craft. Joining us on the platform to co-host is the writer, Emma Darwin.
Over tea, cake and a glass of wine, we’ll explore the challenges and opportunities, the difficulties and joys of writing, and the reality of being a writer. We hope you’ll come and join us. The Salons are held once a month on a Monday evening, 7.30pm at the Tea House Theatre, 139 Vauxhall Walk, London, SE11 5HL.
Workshops & Masterclasses
I'm really excited to be continuing my collaboration with writing teacher and experienced editor, Andrew Wille to run some new masterclasses on craft. Andrew was our guest in the first Words Away salon: Make Your Novel Shine. We have masterclasses scheduled for the spring and summer. On May 11th we’re running a new class, Density and Speed: Crafting Space and Time in Writing. Then on June 15th we’ll be starting the series again beginning with The Craft of Revising: A Masterclass on Self-editing for Writers. Each of our events feature a Q&A session with industry professionals as well as chance to network and meet other writers. We'll be holding the classes at our lovely venue, the London Bridge Hive, a newly renovated space two minutes walk from London Bridge Station, situated between Borough Market and New Bermondsey St.
So, how do you pick yourself up when it’s all gone catastrophically wrong? What can a writer do to survive disaster and develop resilience for whatever might happen next? When Words Away regular and historical novelist Emma Darwin spent three years trying to write fiction about her famous ancestors she found herself hitting a wall time and again before finally admitting defeat. She drew on that experience for her new creative non-fiction, This Is Not A Book About Charles Darwin: a writer’s journey through my family. We had a full house for the salon and writer Caroline Green joined me as guest co-chair. We talked about the evolution (see what I did there) of This Is Not a Book as well as exploring ways to navigate the peaks and troughs of a writing life.
Novelist and playwright Alice Jolly believes that writing fiction set in history can offer tremendous opportunities for the writer and the reader, but it’s important to ask what historical fiction can do that non-fiction doesn’t or can’t do. Fiction can show a historical event from a different perspective and take us behind the scenes. For the writer this means finding the back door into the novel…
Earlier this week Words Away returned to the Tea House Theatre for the first in our series of salons for 2019. We were joined by literary agent Jenny Savill, a Director of Andrew Nurnberg Associates, to discuss How Agents and Writers Work Together. We covered much terrain, from the submission process to the creative challenges and rewards of maintaining an author’s career in the long term.
We had a brilliant salon last week with guest writer Zoe Gilbert at the helm interrogating the mystery and allure of folklore, fables and fairytales and discussing ways into writing new fiction.
Last Monday an audience of intrepid writers braved a dark, damp evening for our salon at the Tea House Theatre Cafe to discuss, There Will Be Blood: Writing Violence, with guest writer, William Ryan.
“So we beat on, boats against the current, borne back ceaselessly into the past,” wrote F. Scott. Fitzgerald closing The Great Gatsby. The depiction of the past and the processing of memory appears to be catnip to writers. The topic drew a full house to the Tea House Theatre recently to discuss, All Is Not What It Seems: How Memory and the Past Drive a Narrative, with the short story writer and novelist, Claire Fuller.
A packed house of published and aspiring writers gathered to join in the conversation with our guest, Virago Press Chair, Lennie Goodings. We could not have wished for a more perfect speaker to illuminate what every writer needs to know about being edited and being published!
We have a new lineup of events arranged for the Autumn! As the weather mellows and we head toward the cooler months, join us at the Tea House Theatre Cafe in Vauxhall for one of our monthly writing salons. I’m also collaborating once again with writing teacher and experienced editor, Andrew Wille, to run some new masterclasses on craft at the London Bridge Hive.
Last Monday evening, in the midst of a heatwave to rival the fabled summer of '76, we held our final salon of the season at The Teahouse Theatre Cafe. The tropical temperature didn’t deter our intrepid audience and they arrived in droves to talk, Writing Ghosts, with our guest, the novelist Jenn Ashworth.
Last Saturday we ran a new workshop, The Craft of Revising, led by Andrew Wille at the London Bridge Hive. Andrew put together an inspired program exploring various aspects of the revision process. A vibrant and enthusiastic group of writers took part and the day was further livened up by the arrival of the author Michelle Lovric and later, Virago Press Chair, Lennie Goodings.